Bertoia for Knoll fiberglass shell side chair set $800

These are vintage. The shell side chairs are more rare than the wire side chairs. In good condition. They come with glides. Call (909) 362-7420.

Pair of Walnut Tables by Adrian Pearsall

Pair of Walnut Tables by Adrian Pearsall
USA
1960's
a very nice pair of tri-form tables in polished walnut, designed by Adrian Pearsall for Craft Associates c. 1960. Beautiful design and workmanship, in excellent condition, with glass tops.

Condition*
excellent

Measurements
height: 20 in.
depth: 24 in.
width/length: 27 in.

Specifications
Number of items: 2
Materials/Techniques: walnut, glass
Creator: Adrian Pearsall

Authentic Florence Knoll Rosewood Table 54"

Unavailable

Florence Knoll Round Table Desk W/ A Rosewood Top Measuring 54” W x 28” H.

Overall, this is in good vintage shape and it retains the knoll label. Additionally, this is a vintage piece from the 1960's so understand that there is age appropriate wear. However, there are no major scratches in the wood and the base is quite clean.

Local pick up or buyer is to arrange transportation via plycon or any other delivery service. Note the base alone weighs around 200+lbs.

Look very carefully at all the pictures before placing a bid.

Blessings

Mid-Century Credenza/Storage Unit $200

In good condition. Call (909) 362-7420.

Mid-Century Sundrella Umbrella $400

Aluminum, in very good condition. Rotates. Light tan color. Call (909) 362-7420.

George Nelson for Herman Miller Credenza

Walnut, in good condition. Has original tags and Herman Miller keys. Built in wastebasket. Power cords are for original built in fluorescent in-cabinet lighting.

Unavailable

Brunner Golf chair

Golf chair designed by Francesco Zaccone for Brunner. Chair is marked Thonet. I'm unsure why. Reupholstered in wasabi colored vinyl.

Finn Juhl end table

Guitar pick-shaped teak Danish end table designed by Finn Juhl for Selig. In good condition. 

Executive Leather Chairs by Charles Pollock for Knoll SOLD

Set of Four Executive Leather Chairs by Charles Pollock for Knoll
USA
1970's
classic Pollock Executive chairs with wide band chrome trim, upholstered in black leather.

Price
Sold
Condition*
good

Measurements
height: 33 in.
depth: 27 in.
width/length: 26 in.


Specifications
Number of items: 1
Materials/Techniques: chrome, leather
Creator: Charles Pollock for Knoll

Eames PSCA-36 Swivel Sideshell on Aluminum Rolling Base Unavailable

Vintage, brown Girard Hopsak, Eames PSCA-36
Pivot Sideshell Cast aluminum base Adjustable height
(-36).

Molded and contoured latex foam pad.

Herman Miller product literature noted:
"The PSCA-36 is the newly designed Eames secretarial chair with one-piece molded and contoured latex foam pad for maximum seating comfort for the secretary or machine operator. Adjustable in height. Swivels. Also available in the non-adjustable (as to height) version and non-swivel; all with casters or glides."

Unavailable
Additionally, both the shell and upholstery are in good condition.

Hans Wegner dining set

This is an amazing complete dining set with table and 4 sawhorse CH-29 chairs designed by Hans Wegner. I bought this from the original owner. There are 2 leafs included. The current naugahyde on the seats is original and on 3 of the 4 seats, there are tears that have been patched. I will reupholster the seats in the color of your choice, and this is included in the price. 

Unavailable

Stanley Young for Glenn of California end table

Call (909) 362-7420.

Milo Baughman for Glenn of California corner table

In great shape. Very unique and rare.  Call (909) 362-7420.

Steelcase desk chair

In great condition. Casters roll well. Nice wool fabric. Similar to Pollock chair. In some ways I actually prefer this design.  Call (909) 362-7420.

Eames blue vinyl aluminum group desk chair

Herman Miller, Eames design. Vintage. Good condition. Reclines and tilts. I have original rolling casters for it that are not pictured. 

Dimensions 17" X 23" X 33.75"
Seat height: 17"

1971 Eames Loose Cushion Arm Chair on Casters

Loose Cushion Armchair 1971
In Blue fabric with original red hopsak underneath if you want to reclaim that style. The casters can be removed and plugged with glides from the following supplier for a sleeker look:

http://cgi.ebay.com/ALUMINUM-GROUP-HERMAN-MILLER-CHARLES-EAMES-GLIDES-/370458274112?pt=Antiques_Furniture&hash=item564108a940

The following history was provided by the Eames Office and photographs of this example can be viewed here: http://www.eamesoffice.com/vintage/worksheet_detail.php?id=76

I have several and they are in good condition. Additionally, the last photograph demonstrates another version of this chair that can be created by removing the upholstery.

Blessings








Naugahyde upholstery, fabric covered cushion, tilt-swivel base
Introduced in 1971, the Eames Office developed a new upholstery technique for this new sculptural shape. It has formed-in-place urethane foam filling. Quoting from EAMES DESIGN, by Ray Eames, Marilyn Neuhart and John Neuhart, "This unique process bonds together the chair's fabric or vinyl cover, foam core, and outer shell. The fabric is cut and sewn to size (except for the vinyl, which has no seams) and then vacuum-drawn into a mold. The matching mold is the already formed polyester seat shell. The molds with the sandwiched fabric are held together by a metal ring clamped to the shell's contour. Urethane foam is injected through a hole left in the seat mold, filling the space between the shell and the fabric and varying in thickness from 3/4 inch to 3 inches."

As with other innovations, this foam process, devised for this chair, was soon adapted to other chairs. From this point on, all the Eames shell chairs were upholstered in this manner.

In 1973, New York's Museum of Modern Art published a book, CHARLES EAMES FURNITURE FROM THE DESIGN COLLECTION - The Museum of Modern Art, New York, written by Arthur Drexler, Director of that museum's Department of Architecture and Design. Drexler was particularly enamored of this design, writing: "Although this chair might appear to be a padded version of the original 1950 plastic shell, its proportions differ from that design in two significant ways. The back support is 6" higher and makes up at least half the height of the entire shell; and the modelling of the inside back surface incorporates a reverse curve at its base, providing much firmer support. In addition, the chair's proportions are designed to include a lose seat cushion."
"Technically, this chair is among Eames' most sophisticated and carefully studied productions. Its plastic shell receives a formed-in-place urethane foam padding, covered, like the upholstered side chair, by a vinyl or fabric skin. Dents in this material slowly disappear, the urethane having a "memory" for its original contours.

A fabric or leather covering must be stitched; in vinyl the form is unbroken by this distracting detail, and every modulation of its curved surface is emphasized."
"Sleek, polished, impeccably detailed, the molded and padded shell of this chair suggests the world of aviation. It also manages to be at once precise and voluptuous, and seems to convey as much of the mood or image of its day as the plywood furniture did in the 'forties."